A magazine of Goddess celebration with news, research, artwork, photos, personal experiences and ritual, that aims to reflect the diverse community of Goddess spirituality reclaimed from the past and alive in the world today. The magazine is primarily British-oriented, yet it aims to include Goddess articles, news and events from around the world. The Editor invites news items, letters and articles which are Goddess-foccused.  If you would like to contribute an article to GA! please write first with an outline of the article (enclose SAE for reply).

The deadline for the next issue is 1 November 2004

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What's in GA! 7?

  • Imbolc at Kildare - Giselle Vincent

  • Bride's Well on Lewis - Jill Smith

  • Patinni - Patricia Monaghan

  • Glastonbury Goddess Conference 2004

  • Plus News, Events, Rituals, Reviews

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GA! Stockists

The Goddess and the
Green Man

17 High St
Glastonbury
Somerset BA6 9DP
Tel: 01458 834697
email

The Lotus Gallery
10 Chapel Row
Bath
BA1 1HN
Tel: 01225 444480
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The Healing Star
35 Causewayhead
Penzance
Cornwall
TR18 2SP
Tel: 01736 330669
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Goddess Bookshelf
Book News & Reviews

THE DOUBLE GODDESS - Vicki Noble
[Bear & Co., USA pbk 2003, $18/£9.80]
Available from Amazon
@ £8.82

Double Goddess cover

This is one of the most imp-ortant books on the Goddess to have been published for quite a few years, and its significance cannot be understated. It is the result of some eight years of study and research (much of it first hand) at sacred sites throughout Europe and elsewhere, and, as might be expected with someone of Vicki Noble’s standing, its scholarship is immaculate and its
insights and ideas exciting and original.

The ubiquitousness of double Goddess images and figurines throughout ancient cultures has often been remarked upon, but until this book has never been properly examined (with the exception of a German work difficult to obtain and translate). Vicki Noble shows us the variety of the images (conjoined, linked and shared) in different cultures and suggests some possible meanings to do with female bonding, menstrual cycles, female sovereignty, shamans and Amazonian lineage, and she suggests that the motif can be traced right back to Çatalhöyük. The wealth of information is immense and the drawings by Kimberley Eve a delight. This is one of the most inspiring and stimulating books I have read in a long time.

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MOON RITES -
Spiraldancer
[Lothian Books, Australia pbk 2003]
Available from Amazon @ £10.99 + £1.99 charge.


Moon Rites

Books on using the Goddess/es to change some aspect of your life (“What the Goddess can do for me”) are ten a penny nowadays (especially in USA) and GA! receives a fair number of these. Usually, they aren’t reviewed (GA! has limited space and would rather use it on books it can really recommend), but this one is different. To begin with its focus is very much on women’s mysteries, especially the three stages of menstruation, motherhood and menopause. Secondly, Spiraldancer has researched ancient rites and myths and come up with some unusual and different Goddesses, such as Hina, Sarasvati and Nokomis. And finally, the rituals she creates are less about ‘gimmee a better job/home/income/body lover’ and more about attuning the self to the rhythms of the universe, especially the phases of the moon. The result is a rich mix of spells, herbs, rites, symbols, stories and ideas, all linked to women’s cycles of menses and ovulation and the phases of the
Goddesses of the Moon and Earth. The book also includes a month-by-month Moon Journal, and contains much wisdom and healing lore.

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WOMANSPIRIT RISING - THE DIVINE ANCESTRESS

Goddess Festival at Walcot Chapel, Walcot Street, Bath

Oct 25th-28th Goddess Art Exhibition
Oct 29th Celebrating Women’s Culture with Jill Smith ,Monica Sjöö, Sheila Braun & film “First Circle”
Oct 30th The Divine Ancestress, with Rae Beth & circle dancing, prophecy, divination, oracle
Oct 31st Healing Women, with Maggie Parks, Sue Barnett, & singing

Details from Sheila Braun 01225-840820

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Goddess Alive!

ISSUE No. 6

Summer/Autumn 2004

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There's a full contents
listing for Goddess Alive! Issues 1 - 6 here!

LINKS

See previous issues


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THE GODDESS’ WHEEL OF THE YEAR
A seasonal ritual drama

Lammas Goddess by Geraldine Andrew
Lammas Goddess
by Geraldine Andrew
(click for larger version)

Tired of the emphasis on the heterosexual relationship between The Goddess and the Gods in most ritual drama cycles which celebrate the seasonal Wheel of the Year, our Women’s Group has created a mythic cycle which focusses exclusively on different faces of the Goddess and the interplay between Her different aspects.
Over a year we discussed which Goddesses and their myths we associate with each festival. From these we selected stories which lent themselves to ritual drama and created a “script” for that festival’s ritual, with one or more women being honoured to carry (literally, to be possessed by) the Goddess. We were also inspired by the wealth of ancient sites in West Cornwall in which to enact our sacred dramas.
Here in the sixth of our eight-part series we publish our LAMMAS ritual, dedicated to Demeter, Goddess of the Harvest. We offer these scripts as our contribution to the myriad creative ways to celebrate the Goddess at the seasonal festivals.

The ritual started with Demeter wearing the red shirt of Sovereignty (from Midsummer) and a skirt in earthier autumn/harvest colours. She was crowned with the horned moon copper crown which Sovereignty had worn at Midsummer. The women then decorated the crown with corn, montbretia, poppies and late summer grasses and flowers, as they invoked Demeter – the Mother of All, the Queen on the Fertile Land, Goddess of the Fruitful Harvest. Demeter turned away and removed her red shirt, turning back to reveal her bare breasts painted with spirals and stars. She was greeted and honoured.
Demeter then walked bare-breasted into the summer maze which had been marked out in the field. At the centre, she displayed her abundance and fertility, producing and blessing fruit, vegetables, grapes, tomatoes, wine, strawberries, nuts etc, and in an expression of delightful abundance and sensuality poured mead over her naked breasts. The women
appreciated the generous fertility of the Goddess and the food which means life for the
coming winter.

While Demeter sat in the centre of the maze, sipping mead and singing happily to herself about the fruitfulness of the earth and all that she had grown, one woman walked off and returned as the Hag. Suddenly Demeter’s reverie was cut short by the shocking sound of the sickle cutting through the air and the grasses. Demeter froze in horror, then she remembered what must inevitably follow the fullness of late summer.
Visibly she gathered her courage and turned to face the Hag.

The Hag cut right across the maze to the centre, where there was a meeting of the two Goddesses. Demeter looked the Hag in the eyes, and then found she was looking at her own reflection in a dark mirror. Demeter then held out the corn for the Hag to cut – a voluntary and necessary sacrifice. Demeter cried out in the pain as the corn was cut. The Hag handed the cut corn back to Demeter and disappeared, while Demeter fell to the ground, in grief for the coming end of summer, warmth and growth. Her crown also fell to the ground; and although she replaced it when she got up, her power was already beginning to wane.

The woman who carried the Hag returned to witness the mystery of the corn, the seed and the bread, which Demeter then revealed. First she held up the sheaf of cut corn, then she stripped it into a basket and winnowed (shook) it to remove the husks.

She then placed the basket under her skirt and went into labour over it, at the end of which she gave birth to the sun bread (a round loaf with ears of corn sticking out all around it like the sun). Demeter held out the bread to the women, who entered the maze, treading the spiral to the centre where they
received bread and blessings. Then Demeter and the women made a Corn Mother out of the cut corn, decorating her with flowers and ribbons. Demeter breathed her life and spirit into the Corn Mother, then walked out of the maze and put down aspect.

The women celebrated with dancing and singing, and then held an abundant Lammas feast with all of Demeter’s gifts. Finally they all processed ceremonially, carrying the Corn Mother to the Beehive Hut, where she was left to preside over the season and then gradually return her body to the earth.

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Goddess Celebration and Research

Subscriptions

Priestess of Xerokampos
Figurine of Priestess from the Minoan peak sanctuary of Xerocampos (Museum of Ay.Nikolaos, Crete)
(click on image for larger version)

Goddess Sites of Eastern Crete - Part 1

by Cheryl Straffon & Jackie Dash

Many of the great Minoan* centres of Crete are well known and much visited by Goddess lovers. The so-called ‘Palaces’ (or to be more accurate, Temple sites) of Knossos, Phaistos and Malia are popular and on many visitor trails, and even lesser-known post-Palatial shrines like Gournia and Ayia Triada have received much more attention in recent years. However, as we were to discover when we stayed in remote south-eastern Crete recently, there are many other fascinating smaller Minoan sites, hardly known or visited at all, where you can get a wonderful sense of the Goddess-celebrating people who lived and worshipped there and connect deeply with their spirit.

Much of Northern Crete has been blighted by the ravages of mass tourism in recent years, especially in the areas to the east and west of Heraklion, the prime example being the ‘lager-lout’ town of Ayios Nikolaos. With their ‘English pub’ and Guided Tours mentality, it is hard to get any sense of the ancient Minoan Goddess of the Land in these places. But travel to the far north-west or south of the island, as we did recently, and you discover a different world entirely. Here wild mountain ranges look down over small coves and beaches, and Minoan Goddess sites nestle in the mountain peaks or in the slopes of the hills, little-visited except for those determined to seek them out. And what a rich reward they proved to be! This article gives some details of sites hardly known about at all, so that other Goddess-loving women nd men may discover them too.

We stayed for a few weeks in the harbour area of Makriyalos, which made a good centre for visiting this remote area of eastern Crete. Travelling west from Makriyalos, after 42km you come to the unspoilt village of Myrtos. At Nea Myrtos, about 2km east of the village before you get there, there are two remote Minoan sites on two hilltops, overlooking the sea. The first easterly one, Phournia Koryphi is the more difficult of access; the second one Pyrgos just before Myrtos itself, is easier to find. It is signposted off the main road, and there is a lay-by for parking. Whitewashed stones mark a path that climbs the steep hillside, but the views at the top alone make it worthwhile. It is very close to the sea, and there is a wonderful panorama on one side of the whole coastline, and on the other of the mountain ranges.

Pyrgos
Pyrgos on the hilltop above the sea
(click on image for larger version)

We arrived in the heat of the day, but fortunately there was a cool breeze to make it
tolerable. The site was an early Minoan I I settlement (2500-2000 BCE) which was destroyed by fire, but then rebuilt in the Middle Minoan and Late Minoan I periods (about 1900-1600 BCE). It then consisted of an elegant house with two or possibly three storeys the remains of the lower one being visible today. With the aid of a site plan from the Blue Guide to Crete we tried to make sense of the layout, which included a paved courtyard, a raised walk, a verandah, various rooms and a household shrine. Amongst the finds from this were clay sealings, 4 clay tubular stands for offerings, and a conch shell of pink faience, doubtless a treasured offering to the Goddess on Her altar.

Mountains
The mountains look down on Pyrgos

There were some very beautiful features in the visible remains, including a paving of purple limestone stones. Outside the house were the remains of a two-storey communial tomb, and the whole place had the feel of a settled and peace-loving people, at one with the Goddess in their hilltop sanctuary by the sea and overlooked by the mountains.

Click here for a map of Eastern Crete

After this visit, and an afternoon on the beach at Myrtos to cool off, we ventured back in the cooler evening to the other Minoan hilltop site at Phournou Koryphi. This too is signposted from the main road, but there is no obvious turning leading to it. The most direct way is to park in a small lay-by beside the main road by a gulley, and then scramble like a mountain goat up the sheer side of the gulley itself - not for the faint-hearted! With care however, the site soon comes into view. Our Blue Guide said it was fenced in and locked, and had very little information on the site itself, so we were not expecting much. However, Fortuna shone on us, and we found the gate into the site unlocked, and there discovered another hilltop settlement, intervisible with Pyrgos that we had visited earlier in the day.

The two sites would originally have been contemporary, from the early Minoan II period (2500-2000 BCE), but Phournou Koryphi was also destroyed by fire (perhaps as a result of the eruption of the volcanic island Thera), and, unlike Pyrgos, not rebuilt.

Invoking the Goddess
Invoking the Goddess at Phournou Koryphi
(click for larger version)

So the remains date from the earlier period, and consist of 90-100 small interlinked rooms. Finds included equipment for weaving and pottery, and for making wine and olive oil. What amazed us was what a wealth of original artefacts had still been left on the site ‘in situ’ (which presumably is why it is sometimes locked). We found pestle and mortars for grinding spices and herbs, decorated stones and a beautiful bowl and stone for refining other natural herbs. We both had a go with these utensils, and it brought us very close to our ‘grandmothers’ who lived and worked in this place, and perhaps sang songs to the Goddess as they worked with these very bowls and tools.

Grinding
The amazing experience of using the same stones to grind grain that the women of this Minoan settlement had used themselves some 4,000 years ago.
(click for larger version)

 

Continued on page 2


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